David Uclés’s novel has become a genuine publishing phenomenon. More than 400,000 copies have been sold in Spain, translations have appeared in dozens of languages, and the book has been embraced by critics and readers alike as a major literary fresco of the Spanish Civil War. Precisely because its influence is so extensive, it deserves to be approached critically—not in terms of its literary technique, but of its political content and the way in which it shapes collective memory of one of the most decisive events of the twentieth century.






















